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- 2652
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- 上海市
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- 2010-5-17
会员
- 注册时间
- 2010-5-17
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我不明白IYIN兄为什么只喜欢,看别人说而不去实践或思考,我把这段翻译下:
The fact of the matter is: for a cinema shooter, the 7D is going to deliver the same DOF and the same FOV as a 35mm movie camera. Done. End of story. No need to worry about whether a 50mm "becomes" and 80mm, because it doesn't. Put a 50mm lens on a movie camera, and then take it off and put that lens on the 7D, and you'll have identical results (or near-enough identical that nobody's complaining.)
问题的事实是:一个电影的拍摄者,用7D的是要提供同样的自由度和作为一个35毫米电影摄影机相同的视野。拍摄,去完成故事。无需担心是否一个50毫米“变成”和80毫米,因为它没有。一个50毫米电影摄影机镜头,然后取下,放在7D的那个镜头,你就会有相同的结果(或接近一致的,没有人足够的抱怨。)
Put a 50mm lens on a movie camera, and then take it off and put that lens on the 7D, and you'll have identical results (or near-enough identical that nobody's complaining.)一个50毫米电影摄影机镜头,然后取下,放在7D的那个镜头,你就会有相同的结果(或接近一致的,没有人足够的抱怨。)我不明白发这个贴的老外,要么是睁着眼睛说瞎话,要么就是7D的托儿。
我要说的是一个50毫米电影摄影机镜头,然后取下,放在7D的那个镜头,景别变小了,景深没变。 |
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