不能过调色情况下，5D2经过自定义设置是否能接近此效果。

zhangjiang20656

回复 泡菜公子 的帖子

这样是整个场景偏蓝。

vvhh1234

grace2660 发表于 2011-4-16 11:28
不明白为什么《黑天鹅》要用16MM胶片拍？？真在乎那点胶片钱吗？还是有别的原因

不是预算问题，是因为16MM很适合手持，你没发现大部分镜头都是手持的 画面风格镜头设计的时候考虑到拍摄的可行性，自然选用了最合适的器材 呵呵

方小虎

《双喜》 没有太多的故事冲突 却又这很细腻的东西 灯光氛围很OK  只能说 好演员 好摄影 我很喜欢它

龍騎兵

下几条曲线试试吧。。。

grace2660

vvhh1234 发表于 2011-4-16 18:21
不是预算问题，是因为16MM很适合手持，你没发现大部分镜头都是手持的 画面风格镜头设计的时候考虑到拍摄的 ...

但这样不影响放映质量吗？？

bordesign

Black Swan地铁的footage都是7d裸机搞定。要的就是机动力同7d的景深还有高光感。还有排练是5d2拍的。
原文；）
"We used a Canon 7D or 1D Mark IV for all the subway scenes; I could just carry a 7D and shoot on the subway all day with a very small crew. I did some tests with my wife beforehand to figure out my ASA, my stop, and how I was going to deal with the focus. I didn’t use any rigs with it because I wasn’t trying to shoot in the traditional way. I tested a bunch of different exposures and then brought the footage to Charlie Hertzfeld at Technicolor, who put it in the system so I could look at the highlights, the moiré and the resolution. Then I went back to the drawing board to do more tests. The 7D has more depth of field than the 5D, but I needed that because I didn’t have a follow-focus unit and needed to work really fast. I shot everything documentary-style. I did all the focus pulls by hand, and we’d just look at it on the camera’s monitor. I ended up shooting on a Canon 24mm lens at 1,600 ASA to get as much depth of field as possible at a stop of T81⁄2."

zhangjiang20656

呵呵，貌似帖子更多关注在了黑天鹅用相机拍的问题上，不知多少人经常做机内曲线调整的可以交流下。