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- 8612
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- 60
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- AV IT 4 HD Co., Ltd.
- 注册时间
- 2011-1-20
认证会员
尊正专业视频技术监视器代理商
- 注册时间
- 2011-1-20
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Let’s keep in mind that this is a computer rendering, and not a final camera model yet, so it’s likely that it’s still months away — but they’ve said it should be at NAB 2013. If you’re wondering why they would announce a new camera without finishing their first one — well, their original model, the KineRAW S35, is already shipping in China, and will probably be shipping internationally sometime in 2013.
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but part of the reason for the price is that it’s incredibly stripped down from the bigger brother, and you’re not getting Cineform compressed RAW internally, which means you’re going to have some large files. These files won’t be as big as the Blackmagic Cinema Camera‘s 2.5K files, but they will still be much bigger than compressed — and the Mini S35 will not have any compressed formats internally. Cineform may be an option at some point to an external recorder, but you won’t be able to record the HDMI outputs as they are 720p only.
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(Cineform is optional to a recorder they don’t make yet)
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Dynamic Range: 11.5 Stops
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From the RAW clips I’ve seen so far of the KineRAW S35, it doesn’t look like it’s quite as sharp as the BMCC‘s files. This is probably due to the pixel-binning that Kinefinity is doing to get down from 4K to 2K. It also looks to have a bit lower dynamic range than the BMCC, so there are a few compromises that help keep the price down.
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For those wondering where the Super 35mm BMCC is for $6K-$8K, it doesn’t exist, and it’s not going to exist for a long time, because the sensor technology just isn’t there yet unless you’re developing it yourself. The Blackmagic Cinema Camera has nearly as much dynamic range as a camera like the Arri Alexa. If you move up to a Super 35mm sensor, you’re going to have to compromise somewhere in image quality (the way the KineRAW has lower dynamic range), and I’m glad Blackmagic chose image quality over sensor size. It’s one of those situations where if you actually start using the BMCC, the crop is almost a non-issue, and the images are so good for the price of the camera that it’s a compromise most people could probably live with.
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If Kinefinity can actually make this Mini S35 and then get it delivered to the US sometime later this year (it seems like it’s barely even a prototype at this point), filmmakers will have two options for RAW cameras in a true budget price range (not counting the short-lived RED ONE MX sale). I would love to see this priced around $3,000 for the body, and you would have an interchangeable lens camera capable of taking almost any lens out there. It would serve as a great A-camera for tons of productions, or even a B-camera for people shooting on RED. We’re not getting 4K RAW for a long time in this price range — and many of you probably don’t want it anyway — but 2K RAW will be well within reach for many filmmakers in the not-too-distant future.
张丹的评价还是比较客观的，讲优点也不回避问题，供大家参考，而且，目前国外对国造的了解也多是通过在国内的他提供的一手信息。
摘自
http://nofilmschool.com/2013/01/ ... aw-price-cost-6000/
Thanks to Dan Chung at DSLR News Shooter for the exclusive scoop:
http://www.dslrnewsshooter.com/2 ... sign-cinema-camera/
我还有个疑问，既然是记录的序列帧，那么同期声的记录和后期视频声音的合并和同步是如何解决的？ |
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楼主: 色和尚
发表于 2013-1-16 21:03
和alxea的对比N久之前就有了啊...
s35的cmos，自然是1.6~~
