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- 2010-1-13
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- 2010-1-13
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我从七月的 AC上看到奠基所用的大画幅机器不是IMAX
而是 Super Dimension 70
有哪位大哥了解这东东 给我们介绍一下
(顺便介绍一下VistaVision 8-perf
35mm是什么东东?)
原文:
Imax was ruled out because the
filmmakers decided that extensive
handheld camerawork would be a
cornerstone of their visual approach.
“We wanted to do a lot of handheld in
many very confined locations to get a
documentary feel,” says Nolan. “And
there was a lot of physically challenging
work planned.”
In their quest to find the most
suitable large format for Inception, the
filmmakers met with industry legend
Douglas Trumbull and took a look at
Showscan’s latest iteration. They also
examined Super Dimension 70, a
system devised by Robert Weisgerber
that allows shooting and projecting at
48 fps. “Strangely, Super Dimension 70
images have an almost hyper-HD quality,
despite the phenomenal resolution,”
says Pfister. “We just couldn’t get
around that.” They also screened a
presentation created by ASC members
Bill Bennett and Kees van Oostrum
that mixed wide shots captured on
65mm with closer shots made on
35mm. “We saw that the 35mm and
65mm footage cut together well,” saysPfister. “They got great detail and resolution
on the wide shots, where objects
in the frame appear smaller. Seeing that
encouraged us to use that model.” The
filmmakers eventually decided to add
both 65mm and VistaVision 8-perf
35mm to the mix for Inception.
(VistaVision was used for aerial cinematography,
shot by Hans Bjerno.) |
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