84界奥斯卡提名 ARRI设备提供太猛了

left1905 · 发表于 2012-1-30 16:37

本帖最后由 left1905 于 2012-1-30 16:42 编辑

Best Picture
Two-thirds of the films nominated in this category were shot with ARRI cameras, four of them on 35 mm film and two with ALEXA.

THE ARTIST
* ARRIFLEX 435
* Serviced by Panavision

THE DESCENDANTS
EXTREMELY LOUD AND INCREDIBLY CLOSE
* ARRI ALEXA
* Serviced by ARRI CSC

THE HELP

HUGO
* ARRI ALEXA
* Serviced by Cameron Pace Group

MIDNIGHT IN PARIS
* ARRICAM 35 mm system
* Serviced by Panavision

MONEYBALL

THE TREE OF LIFE
* ARRICAM 35 mm system; ARRIFLEX 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI CSC

WAR HORSE
* ARRICAM 35 mm system; ARRIFLEX 435 and 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI Media and ARRI Lighting Rental

Best Cinematography
All but one of the films nominated in this category were shot with ARRI cameras, three on 35 mm film and one with ALEXA.

Guillaume Schiffman, AFC, for THE ARTIST
* ARRIFLEX 435
* Serviced by Panavision

Jeff Cronenweth, ASC, for THE GIRL WITH THE DRAGON TATTOO

Robert Richardson, ASC, for HUGO
* ARRI ALEXA
* Serviced by Cameron Pace Group

Emmanuel Lubezki, AMC, ASC, for THE TREE OF LIFE
* ARRICAM 35 mm system; ARRIFLEX 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI CSC

Janusz Kaminski for WAR HORSE
* ARRICAM 35 mm system; ARRIFLEX 435 and 235; Master Prime and Ultra Prime lenses
* Serviced by ARRI Media and ARRI Lighting Rental

未来导演刘逸 · 发表于 2012-1-30 21:17

kintocub · 发表于 2012-2-23 20:11

本帖最后由 kintocub 于 2012-2-23 20:22 编辑

竟然没有潘娜？哈哈

ak47 · 发表于 2012-3-4 14:29

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[ARRI] 84界 奥斯卡提名 ARRI设备提供太猛了

[ARRI] 84界奥斯卡提名 ARRI设备提供太猛了