本帖最后由 咩阿 于 2011-11-6 15:35 编辑
噔噔噔！没错！我又再次去新国啦！ 本次参加的是：ICA ADVANCED RESOLVE R201 (2-DAYS) 老湿依然是：WARREN EAGLES
顺便去旁听了：ICA POPULAR LOOKS (1-DAY) 老湿是：WARREN EAGLES
废话少讲，上图：
以下照片版权为：Christopher Tay & MediaV,Singapore
4th,Nov 第二日高级课程的晚上，mediav举行了个小趴。 到场有调色师和工程师各种利害的老师。还有warren的前几期的学生也到现场观看。
首先warren给大家演示了resolve 8.1的新功能。 他演示了一些新功能，值得一提的是这次的来宾之一包括有avid的master instructor，还有一些avid的用户。 所以了reolve到avid的流程Christopher也演示了一遍，非常简单明了，和fcp基本一样的流程。 由于fianl cut x不给力，所以很多剪辑师都有计划转投avid了，而且resolve8.1又能很好地进行交互，真的很吸引哦～
然后就是吃吃喝喝时间。
Colourist Night!The DaVinci Resolve presentation will be followed by our first 'Colorist Night', an informal gathering where all colorists or aspiring colorists are invited for a get-together over beer and pizza.We'll have 5 Resolve systems set up so it's a great chance to exchange contacts, ideas and mingle with fellow professionals.
左一 zoe 台湾很厉害的女调色师，左二 我，左三 Eddie ，左四 Richard我们在研究一个zoe提的难题。
上次的同学RuoJing～今次又忘记合影了！ 如果大家有上creative cow 后面的john先生是不是有点眼熟呢！？呵呵。
左一，如果你们有看过以前旧的达芬奇教程，就知道他是who了。
我与bmd产品经理
耶！不过问题还没有解决。
很明显这个人已经喝醉了。哈哈。
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5th,Nov 第三日warren looks课程。
warren's look课程佯装毕业： 左一来自印度尼西亚 左二新加坡 左三来自香港 中间来自澳洲 哈哈 右一来自中国 右二来自印度尼西亚好多树屋的地方 右三来自日本
看哈！
课上图片用手机拍 凑合看看阿～1
这个如果大家都看过zacuto的多摄影机对比那个视频，就会对这个素材有印象。
是两个女生站在窗口边上，测试外面光线是否过暴的一条素材。
而我们调色测试的结果，居然是red比alexa好，特别是在一些细节上，在场的大家都很奇怪哦～～
课上图片用手机拍 凑合看看阿～2
watch!
很高兴认识你啊！
＊显摆时间＊201＊certification*
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以下是课程内容：
COURSE BREAKDOWN DAY ONE
An introduction to Resolve V8 software. A complete demo of the system, looking at every area of the new software including the new features and how it works with the Resolve control surface.
Resolve workflows including….. Film, Red, Canon, Alexa and other digital files. Resolve works with lots of formats, how do we load and work with all the different flavors of material our clients may bring us? Importing and conforming both film and digital material.
Creating your own timeline You have the files but no EDL. How to make a small timeline of important shots that will enable you to showcase some “looks” to the director, at the start of your session.
The complete guide to Nodes? The node is the key to successful grading using Resolve. We will look at all 4 nodes, see the differences, their strengths and where and when to use each one.
Who is a Colorist? You are a working Colorist, but how do you take yourself to the next level? Get better work, and subsequently make more money.
The Resolve Trim LUT How to make a Trim LUT, and why it is a great resource for both onset color correction and in the grading room.
EDL/XML/AAF conform New V8 XML conform How do we conform multiple EDLs, so that we can have 5 timelines that share the same corrections. What happens when new VFX shots keep getting added to the timeline, or we have a totally new cut and a new EDL is supplied. Color trace explained.
Stereo 3D grading. Prepping your timeline. Slipping 1 eye against the other. Auto matching tools for both geometry and color. Convergence and viewing modes.
DAY TWO
Parallel, Layer and Key mixer nodes These nodes offer lots of flexibility. Parallel v Layer what is the difference? When to use each node. How to mix the corrections from one node to another. What are the differences?
Advanced Secondary Keying/curves Keying is a very important part of what we do as Colorists. Learn the tricks on how to key in Resolve using either HSL RGB or LUM. The new secondary curve features explained.
Power Windows The Polygon and Power Curve windows explained. Don’t pass shots off to VFX, use the PCW to make pack shots really stand out.
Versions/Gallery/Powergrade Sometimes we need to store alternate versions of a grade, even rendering them to their own labeled folder.
Advanced Tracking/keyframing Using the timeline to keyframe and manipulated the image over a period of time. How to change just the node you are working on.
Looks and Styles with Resolve How to create looks and styles within Resolve that will help give you an edge over your competition. Bleach Bypass Cross Process “Schindlers” Red coat. Spot Color Orange and Teal.
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发表于 2011-11-6 15:25
楼主
高老板
发表于 2011-11-6 16:22
