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[新闻] 独家专访:我们和《魔戒》《阿凡达》《银翼杀手2049》DIT大神聊了聊

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尊正官方

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2012-1-4
发表于 2021-8-16 18:27 | 显示全部楼层 |阅读模式
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本文原定在BIRTV 2021期间发布。鉴于该展会已宣布延期,尊正市场部决定提前发布这篇专访。本文首发于尊正资讯(www.zunzheng.com/news),并同步发布在其他的尊正自媒体(如微博尊正中国、微信GaiaDaily、B站Gaiamount等);如果您对Jason Naran及他的相关项目有更多的兴趣,欢迎在本文下方留言,我们将精选部分提问与这位DIT大神互动,敬请关注。
电影与你的距离,可能是从家里走到附近电影院的几百米,也可能是从银幕接触到幕后成为电影人的好几年。尊正带你近距离接触充满魔力的电影世界和电影幕后的那些人。原定于今年8月25-28日举行的第三十届北京国际广播电影电视展览会(BIRTV)受疫情影响正式确定延期举办,尊正原定于在今年BIRTV现场连线的《魔戒》《霍比特人》《阿凡达》幕后大神级DIT同时也是尊正产品的忠实用户杰森·纳兰特此接受了尊正独家书面专访。一起来看看尊正和DIT大神聊了些什么!
请您跟大家自我介绍一下。
我叫杰森·纳兰,来自新西兰。我入行的时候大概2007年,进入影视业以来,我很幸运能参与到许多大片的制作中。大概在2015年左右,我成为了一名专职DIT,并创立了自己的公司Nektar(www.nektar.co.nz)。
Can you please introduce yourself?
My name is Jason Naran from New Zealand.
I started working in the film industry around 2007.
Since then I have been lucky to work on many big films.
I became a specialist DIT around 2015.
My company name is Nektar – www.nektar.co.nz
[size=0.8125em]DIT杰森·纳兰
[size=0.8125em]参与过的项目包括《魔戒》《霍比特人》《阿凡达》《速度与激情7》《攻壳机动队》《丁丁历险记》《掠食城市》等
[size=0.8125em]图片来源:杰森·纳兰/尊正

[size=0.8125em]
[size=0.8125em]Nektar公司部分作品案例
[size=0.8125em]图片来源:Nektar官网
您最近有什么项目或工作?最喜欢哪些项目?
我的IMDb链接列举了我作为DIT和视频操作员参与过的各种项目。
目前为止我最喜欢的项目是:
《时间的皱折》
《银翼杀手2049》
《掠食城市》
《阿凡达》
《霍比特人》123部
《彼得的龙》
《攻壳机动队》
What are your recent projects or work and any favourite ones?
Here is a link to my work as a DIT and also as a Video Operator..
My favourite projects so far are :
A Wrinkle in Time
Blade Runner 2049
Mortal Engines
Avatar
The Hobbit 1, 2 & 3
Petes Dragon
Ghost in the Shell
DIT工作流/您的工作方式在近几年有何变化?您觉得未来这个行业会朝什么方向发展?
我见证了这个行业在过去几年发生了许多变化。我刚入行的时候,被叫去辅助使用新推出的数字电影摄影机制作的项目。当时数字摄影机还是新鲜玩意,随后老式的胶片摄影机逐渐销声匿迹。我最初在剧组担任的是数据操作员,当时还没有DIT这个岗位。而现在,大部分大制作电影都离不开DIT,DIT需要提供多种服务,包括摄影机控制、实时调色、数据管理、后期制作沟通以及协调摄影与制片部门的工作。DIT的职责现在变得相当复杂,涵盖众多任务。
How has the DIT workflow/your way of work evolved in recent years and where do you see the industry moving in the near future?
I have watched the industry change in many ways over the years.
When I first began working I was called to help productions with new digital cinema cameras.
These were new and older film cameras were not longer the preferred tool.
My first roles were as a data wrangler, and the name DIT was not known then.
Now most bigger film production rely on the DIT to provide many services.
From Camera control, Live grading, data management, post production liaison to camera department and production co-orddination. The DIT role has become really complex and covers so many responsibilities.
[size=0.8125em]DIT杰森·纳兰片场幕后图
[size=0.8125em]图片来源:杰森·纳兰/尊正
您从哪获取工作灵感?又是在哪关注行业最新趋势,如何更新自己的专业知识?
我能从合作的摄影指导和摄影团队身上获得非常多灵感。我非常享受学习新技能、探索新科技的过程。我一直关注着HDR、4K/8K格式、全新色彩空间等等话题,我也持续在学习。
学到新知识后,我可以增加自己的服务内容,并在未来的新项目中以实践测试、验证自己的所学。
Where do you find your inspiration for work? Where do you find the latest industry trends or how do renew your knowledge?
I get a lot of inspiration from working with different Cinematographers and Camera teams.
I also really enjoy learning new skills and exploring new technologies.
From topics such as HDR to 4K and 8K formats, to working with new colour space options – I am constantly learning.
I then get to test and proven my learnings on future jobs by adding to my services.
面对片场的压力,或这份工作的压力,您如何应对压力?会做什么来排解压力?
我在这个行业干了这么多年,已经不会感到片场有太大压力了,我很喜欢影视行业中的各种挑战。工作间隙有时间的时候,我热爱到大自然里进行户外探险活动,那就是我最喜欢的放松方式。可以看看我骑山地自行车的照片。
How do you deal with stress on-set or in general? What would you do to de-stress?
I find that after many years working in this industry, I don’t get much stress onset.
I really enjoy the challenges that film industry provides.
I usually enjoy some outdoor adventures in nature when I have time off between jobs.
This is my favourite way to relax.
See my photo attached below on the Mountain bike.
[size=0.8125em]杰森·纳兰热爱山地自行车运动
[size=0.8125em]图片来源:杰森·纳兰/尊正
您最难忘/最喜欢的项目?为什么?
目前为止,我参与过的最喜欢的项目就是《银翼杀手2049》的拍摄。我常驻新西兰,参与了微缩模型部分的拍摄。整个工作流是专门设计的,拍摄使用的是数字静物摄影机,而非电影摄影机。拍摄流程相当复杂,采用了针对性的拍摄手法才实现了那次拍摄。
A most unforgettable/favourite project of yours and why?
My favourite project so far has been the Blade Runner 2049 shoot.
I was based in New Zealand on the Miniatures shoot.
It was a very custom workflow and shooting method using Digital stills cameras, not cinema cameras.
The routine was very complex and needed some very custom approach to make the shoot possible.
[size=0.8125em]《银翼杀手2049》剧照
[size=0.8125em]图片来源:华纳兄弟
有没有欣赏的中国电影/电影人?或者想要在自己的项目中探索应用的风格?
我很希望未来有机会到中国工作,我目前还没有与来自中国的摄影指导合作过。要是不久的将来能有机会到中国来参与大型项目会是一件非常棒的事情。
离中国最近的一次就是2017年拍摄《攻壳机动队》的时候是在香港,当时拍摄任务很繁重,我们在香港的街道拍了几天几夜,那次工作经历我很喜欢。
Any Chinese films/filmmakers that you appreciate or looks that you want to explore for your projects?
I would like to work in China at some point in the future.
I have not met any Cinematographers from there.
It would be great to come visit and work on a big production there soon.
The closest I was to working in China, was when we were shooting in Hong Kong on Ghost in the Shell in 2017.
It was a busy shoot and on the street for many days and nights.
I really enjoyed working there.
[size=0.8125em]《攻壳机动队》剧照
[size=0.8125em]图片来源:派拉蒙
希望尊正的技术和产品使您的DIT工作如虎添翼,您对于尊正产品有怎样的使用体验呢?有什么您希望在尊正产品中看到的新功能吗?
我自己的DIT车上有3个尊正BoxIO,搭配Pomfort LiveGrade软件使用。BoxIO功能非常棒,非常可靠。有了BoxIO,我可以操控摄影机的实时画面,创建自定义风格。
未来的话,我希望能看到的功能就是实现12G信号的处理,并且能够实现HDR实时调色。
Hope our technologies have made your DIT life easier, so how’s your experience with zunzheng products? Any new functions you would like to see?
In my DIT cart I use 3x BoxIO with Pomfort LiveGrade software.
These LUT boxes work really well and are always reliable.
They allow me to manipulate the live image from the camera to make custom looks.
The only function I would like to see in the future is to handle 12G and able to do live grade for HDR.
[size=0.8125em]杰森·纳兰DIT车常备尊正BoxIO
[size=0.8125em]图片来源:杰森·纳兰/尊正
[size=0.8125em][img]blob:https://zunzheng.com/b51e7d6e-324f-49a8-b9fb-7d8bae8bfb57[/img] 杰森·纳兰的DIT车
[size=0.8125em]图片来源:杰森·纳兰/尊正
如果有机会来中国,或和尊正合作,您愿意来吗?希望有怎样的合作?
我很希望找机会到中国工作,很期待能参与中国的大制作影片。我还希望能参与尊正的产品开发,同时我可以为其他想入行到片场做DIT的人提供辅导培训。
我还想进一步了解尊正监视器,尤其是你们的HDR和4K监视器。要是能好好探索一番就好了——希望能拜访你们的工厂,了解一下监视器的制作流程。
If offered an opportunity to come to China or work with zunzheng in some way, would you like to take it and what do you want to do?
I would like to find an opportunity to come to China to work.
I think a big film production would be great to work on.
I would also enjoy the product development routine with zunzheng.
I could also offer some training for other DITs who are interesting in working on a film set.
I am interested to know more about the Monitors that zunzheng offers.
Particularly the HDR and 4K options.
This would be great to explore – I would like to visit the factory to learn how they are made.
对中国想要成为DIT的人有何建议?
我认为你需要学习很多不同领域的知识才能成为合格的DIT。比如,去了解市面上的所有摄影机。另外,还需要了解摄影机的工作原理,以及它们各自的不同之处。我还建议要学习DIT相关软件和数据处理流程。现在的影视设备功能很复杂,需要DIT对其充分了解。最后就是要熟悉电影片场,了解片场的工作流程。
Any advice to people interested in becoming a DIT in China?
I think you need to study many different topics to become a DIT.
Like explore all the Cameras on the market.
Also need to explore how they work and what they have that makes them different.
I would study the software and the data wrangling process also.
The equipment is complex and also needs very good understanding.
Then you need to also be comfortable on the film set and know the routine there.
[size=0.8125em]图片来源:杰森·纳兰/尊正
还有什么其他想要分享的吗?
非常感谢尊正和你们的产品这些年对我工作的支持。你们制造的产品让我能在片场充分发挥自己DIT的能力。祝尊正在BIRTV 2021一切顺利!
What else do you like to share ?
Thank you very much to zunzheng for supporting me over the years with your products.
The products you make allow me to make the most of my DIT role onset.
I hope you enjoy your visit to BIRTV 2021.
[size=0.8125em]DIT杰森·纳兰
[size=0.8125em]图片来源:杰森·纳兰/尊正
如果您对Jason Naran及他的相关项目有更多的兴趣,欢迎在本文下方留言,我们将精选其中的部分提问与Jason互动,敬请关注。
*如需转载,请联系微信Gaiamount01。


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