SCARLET-W
SENSOR TYPE | RED DRAGON® 13.8 Megapixel CMOS | EFFECTIVE PIXELS | 5120 (h) x 2700 (v) | SENSOR SIZE | 25.6 mm (h) x 13.5 mm (v) x 28.9 mm (d) | DYNAMIC RANGE | 16.5+ stops | SIGNAL-TO-NOISE-RATIO | 80 dB | MAX DATA RATES | Up to 140 MB/s using RED MINI-MAG® | MAX FRAME RATES 1 | 48 fps at 5K Full Frame (5120 × 2700) and 8:1 REDCODE
60 fps at 5K 2.4:1 (5120 × 2160) and 8:1REDCODE
100 fps at 4.5K Full Frame (4608 × 2412) and 14:1 REDCODE
120 fps at 4.5K 2.4:1 (4608 × 1944) and 13:1REDCODE
120 fps at 4K Full Frame (4096 × 2160) and 13:1 REDCODE
150 fps at 4K 2.4:1 (4096 × 1728) and 13:1REDCODE
160 fps at 3K Full Frame (3072 × 1620) and 10:1 REDCODE
200 fps at 3K 2.4:1 (3072 × 1296) and 10:1REDCODE
240 fps at 2K Full Frame (2048 × 1080) and 7:1 REDCODE
300 fps at 2K 2.4:1 (2048 × 864) and 7:1REDCODE | PLAYBACK FRAME RATES
(PROJECT TIMEBASE) | 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions | REDCODE® COMPRESSION 1
SETTINGS RANGE FROM 2:1 UP TO 22:1 | 4:1 REDCODE for 5K (5120 × 2700) at 24 fps
8:1 REDCODE for 5K (5120 × 2700) at 48 fps
3:1 REDCODE for 4K (4096 × 2160) at 24 fps
7:1 REDCODE for 4K (4096 × 2160) at 60 fps | REDCODE RAW
ACQUISITION FORMATS 2 | 5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 × 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | APPLE PRORES | Apple ProRes 422 HQ up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 LT up to 2K (2048 × 1080) and up to 60 fps | TYPICAL MAX RECORDING TIME
USING RED MINI-MAG 120GB | 5K (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes
5K (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1REDCODE: 17 minutes | CONSTRUCTION | Aluminum Alloy | WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) | OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | COLOR MANAGEMENT | Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with Expander Modules
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing | AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with Expander Module, uncompressed, 24-bit 48 kHz | REMOTE CONTROL | Built-in Wireless.
Ethernet, RS232, and GPI Trigger with Expander Modules. | MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with Expander Modules
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio | MONITOR OPTIONS | DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF(OLED) and BOMB EVF (LCOS)
compatible with DSMC2 LEMO Adaptor andLCD/EVF cable. | REDCINE-X PRO®
DELIVERY FORMATS | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime,JPEG, Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 | VIDEO EDITING SOFTWARE
COMPATIBILITY | Adobe® Premier® Pro, Avid® Media Composer®
DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro® |
Tech specs reflect both current and projected information. Everything is subject to change.
卡口可换pl 重要的是传感器升级到s35 3w升级传感器到底值不值 大家讨论
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发表于 2015-12-11 16:16
四月一号还早啊。。
