BIRTV2013“与调色大师零距离，与真实色彩零距离”，互动交流内容征集
BIRTV2013“与调色大师零距离，与真实色彩零距离”，互动交流内容征集BIRTV2013期间（www.birtv.com）国际知名的作家、调色师和导演；达芬奇用户手册、《Color Correction Handbook: Professional Techniques for Video and Cinema 》的作者Alexis Hurkman（http://vanhurkman.com）将在尊正展位（5号馆5011）与国内影视从业人员、爱好者零距离探讨、学习色彩管理和调色方面的知识与技巧。为了在有限的时间里做到更有效地沟通和交流，特征集技术交流的内容，以下是已经跟Alexis沟通过的一些可能的话题和方向，作为抛砖引玉，希望大家能针对日常工作和学习过程中遇到的问题或者希望了解的领域提出建议。
BIRTV展会期间，计划8月21日至8月23日每天上、下午各一场（共六场）由Alexis主持的交流活动。
展会期间还会安排与来自于lightillusion（http://www.lightillusion.com）的色彩科学家的互动和交流，有兴趣的朋友也可以分主题提交希望了解的内容。同期，作为战略合作伙伴，我们也会展出和发布尊正版本的Lightspace CMS，相关活动还在策划中，有任何建议也可在lightspace的建议主题中提出。
请以类似格式提交：一．Alexis交流活动备选主题：1. Video basics and how to read scopes to aid creative decision-making.2. Color correction essentials3. Overview of workflows for grading. 4. Thirty things to do with secondaries5. Understanding Scopes - Basic overview of different scopes and how they are used in professional applications.6. Color grading basics - the basic principles of color grading across multiple platforms.7. Creative use of Scopes - how to use scopes to help you with the creative color grading and editing process8. How to use Davinci Resolve built-in scope features.........
二．Lightspace交流活动备选主题和内容：1. 如何使用Lightspace CMS制作自己的LUT；2. 如何使用Lightspace CMS做设备间的色彩映射；3. 尊正版和官方标准版Lightspace CMS促销；4. ......
玩大了！！ 这个猛，强氧居然没请这大神来。 尊正能请得动他说明走向国际了 本帖最后由 zun 于 2013-7-19 18:36 编辑
预留后续相关活动和通知 一定争取要去的，他看了他讲达芬奇10.版的新功能的录像，不错哦，增加了不少功能，很牛，希望他讲讲，最好有翻译哦，这样就更明白 论坛里各位大神都谁去？我们从沈阳去。希望能亲眼膜拜论坛里的各位大神！ 求到场的各位大神拍下交流会视频吧~ ^07^偏远城市的实在蛋疼，与各种交流会无缘~~ 本帖最后由 zun 于 2013-7-21 09:42 编辑
qj87666018 发表于 2013-7-19 20:27 static/image/common/back.gif
一定争取要去的，他看了他讲达芬奇10.版的新功能的录像，不错哦，增加了不少功能，很牛，希望他讲讲，最好有 ...
如果有需要，可以考虑增加达芬奇10的专题内容，Alexis正在编写官方的达芬奇10用户手册。
征集技术交流内容的目的之一也是确定内容后尽量提前把交流内容文字化并翻译成中文。如果确定太晚就恐怕只能现场再说了。所以希望大家积极参与。。。。。。
各位大神，如您们对“与调色大师零距离，与真实色彩零距离”互动交流活动有任何建议或意见，请发邮件至官方邮箱：market@zunzheng.cn，或是致电：0755-86391800^08^
明日尊正将在北美发布Alexis设计的Hue Vector矢量示波器的测试版升级固件，BIRTV期间也会现场介绍使用方法，有兴趣的可以先了解一下，有问题可做现场沟通。
http://vanhurkman.com/wordpress/?p=2563
Hue Vectors Graticule Simplified
Here is an explanation of the features of this design.
Hue Vectors Explanation
75% intensity tic marks, that correspond to the same angles and center-points of the hue boxes in traditional Vectorscopes. The intersection of the inner tic marks and hue vector lines show the dead center of each hue at 75% intensity. The outer tic marks indicate the boundary of 100% intensity.
Long lines that indicate the vectors of each of the primary and secondary hues, stretching from 100% intensity to 22.5%. These lines thin and fall off towards the inner 22.5% boundary, leaving the center of the vectorscope clear to provide an uncluttered view of the subtle traces that describe the most common levels of saturation in most average images, while the pointed tips still provide a useful reference of each hue when evaluating these smaller traces. The objective of these long hue lines is to provide angular reference indicators that are more easily seen and remembered when comparing the traces of differently shaped graphs for multiple images. Furthermore, these long lines all point towards the critical center of the display, providing clear visual guidance without the need for full vertical and horizontal crosshairs.
A center crosshairs that indicates the crucial 0% saturated center of the graph, oriented along the Red/Cyan and Yellow/Blue axes. This orientation provides a clear warm/cool visual reference that will be useful for beginners, and for tired professionals and their clients at 4am. The crosshairs should be big enough to be seen clearly, but small enough not to impede the detail found in smaller traces.
An optional dotted line indicating the traditional In-phase/Skin Tone vector. Dotted to reinforce the idea that this indicator is a reference, and not a rule.
A user adjustable vector reference that can be positioned at any angle and percentage. If you’re needing to match a product color precisely from shot to shot to shot, a user-adjustable indicator that can be put right where you need the trace to be is exceptionally handy.
My original design presented simple letters to indicate the hue of each vector, but Mike Woodworth suggested color-coding the outer 100% tic marks as well to provide a more immediately identifiable UI. The colors shown in the above PNG are exaggerated for clarity; with darker colors, I don’t find the colored tics distracting, but this can always be adjusted along with the brightness of the rest of the graticule. How customizable to make these sorts of display issues (turn off colors separately from letters?) is an implementation choice.
- See more at: http://vanhurkman.com/wordpress/?p=2563#sthash.P5ctRoJM.dpuf
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